Get Bootlegging: Romanticism and Copyright in the Music Industry PDF

By Lee Marshall

'A priceless and particular contribution to the penumbra debate, refreshingly laying off gentle on the various clich s of copyright, and alerting readers to the extra-legal components that can not be missed in any socially-embedded research of copyright' - Stuart Hannabuss, Aberdeen company tuition. ' Bootlegging is a brilliant, provocative and hugely readable research of the excessive concept and coffee practices of tune copyright and its transgressors. it really is such a lot clean to learn a sociological research of a subject matter often left to legal professionals and apologists. a vital ebook for a person who desires to comprehend the modern song industry'. Simon Frith - Professor of movie and Media stories, collage of Stirling. Bootlegs - dwell live performance recordings or studio outtakes reproduced with out the permission of the rights holder - carry a favourite place within the pantheon of well known track. also they are a lot misrepresented and this attention-grabbing ebook constitutes the 1st complete size educational remedy of the topic. by means of studying the centrality of Romantic authorship to either copyright and the tune undefined, the writer highlights the mutual dependence of capitalism and Romanticism, which situates the person because the key artistic strength whereas demanding the commodification of artwork and self. Marshall finds how the need for bootlegs is pushed via an analogous beliefs of authenticity hired by way of the valid in its copyright rhetoric and perform and demonstrates how bootlegs exist as an opposed yet worthy component to an that does a lot to avoid them. This booklet should be of serious curiosity to researchers and scholars within the sociology of tradition, social concept, cultural stories and law.

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Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society) by Lee Marshall

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