By Shauna Vey
Looking on the day-by-day paintings lives of 5 contributors of the Marsh Troupe—the father and supervisor, Robert Marsh, and 4 baby performers, Mary Marsh, Alfred Stewart, Louise Arnot, and Georgie Marsh—Vey finds the realities of the antebellum theatre and American society: the increase of the nineteenth-century impresario; the rising societal structures of girlhood and goodness; the realities of kid exertions; the decline of the apprenticeship version of actor education; shifts in gender roles and the prestige of operating girls; and alterations within the fiscal versions of theatre creation, together with the improvement of the inventory corporation system.
Both a microhistory of a pro theatre corporation and its juvenile avid gamers within the decade prior to the Civil warfare and a bigger narrative of cultural switch within the usa, Childhood and Nineteenth-Century American Theatre sheds gentle on how formative years used to be idealized either off and on the degree, how the position of the kid in society shifted within the 19th century, and the methods financial worth and sentiment contributed to how young ones have been viewed.
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Extra resources for Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors (Theater in the Americas)
Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors (Theater in the Americas) by Shauna Vey