By Huai Bao
Cross-Gender China, the result of greater than 20 years of theatrical and sociological study, deconstructs the cultural implications of cross-gender functionality in modern-day China.
The fresh revival in male-to-female cross-gender nandan performance in chinese language theatre increases a mess of questions: it will possibly recommend new gender dynamics, or new readings of outdated aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being played and the gender doing the appearing, this quantity supplies a wide cultural account of the contexts during which this special functionality sort has stumbled on new life.
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Extra info for Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies)
Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies) by Huai Bao